Hannah Todd

Janklow & Nesbit

Submission status
Open
Submission route
Other
Response time
Assume no reply = no after 8 weeks
Last checked
18 days ago

About

Hannah is a literary agent representing writers of adult commercial fiction.

She previously worked at the Madeleine Milburn Literary Agency before joining Janklow & Nesbit in January 2025. Before becoming an agent, she worked as an editor at independent and 'Big 5' publishers, including Avon, Head of Zeus and Bookouture.

Looking for

  • commercial fiction across the board, but with a particular focus on romance, science fiction and fantasy and commercial thrillers
  • sci-fi set in space, whether a big love story or historical narrative set around the space race, a ragtag group of space cowboys, super smart people dealing with space travel and its dangers with an accessible delivery, or robots falling in love
  • fantasy with an unlikely band of heroes
  • fantasy with factions
  • science fiction and fantasy with cosy themes/settings, but also some darkness and edge, across the full light-dark spectrum
  • horror that uses the genre to interrogate social issues, for an adult audience
  • science fiction and fantasy inspired by RPGs such as Baldur's Gate 3, Dimension 20 and D&D
  • a LitRPG book that speaks to its very large female readership, and appeals to a less 'blokey' readership too
  • a more cosy litRPG
  • romantasy of varying spice levels, accessible to both romance and fantasy readers
  • contemporary romance, from romcoms to sweeping love stories that feel like they redefine the genre
  • romcoms with great disability rep and LGBTQIA+ stories that focus on the joy of falling in love
  • sweeping love stories at the more commercial end of the spectrum, more Nicholas Sparks than Sally Rooney, and Bonnie Garmus rather than Gabrielle Zevin
  • high concept thrillers with an unsettling 'it-could-happen-to-me' feeling
  • books that play with form when telling us about a big event, either via multiple POVs or playing with timelines
  • british historical saga novels in the vein of Nancy Revell, Katie Flynn, Rosie Goodwin and Kitty Neale
  • voices from underrepresented backgrounds, such as writers of colour, indigenous communities, the LGBTQIA+ community, and those with disabilities

Not looking for

  • children's, middle-grade and young adult fiction
  • re-imaginings of the classics
  • books that feature characters putting on Shakespeare plays
  • books where art is a key part of the narrative

Clients include

  • Kirsty Greenwood
  • Charlie Gallagher
  • Leah Mercer

Agency submission guidelines

Postal submissions are not accepted, and screenwriters or scripts are not considered. Submissions should be titled (document and email) with full name and title of work. Sample material should be in size 12, reasonable font, double-spaced. Fiction submissions should include a covering letter, synopsis, and either the first three chapters or the first fifty pages (whichever the writer feels is appropriate); the covering letter and synopsis should ideally be no longer than a page each. Non-fiction submissions should include a covering letter (ideally no longer than a page), a full outline setting out the aims of each chapter, and if possible a sample chapter. Poetry submissions should include a covering letter (ideally no longer than a page), a short pitch and a small sample of 3-5 poems. The covering letter should be included in the body of the email, with other components as attachments; Word attachments are preferred, though PDFs are also acceptable. External links in emails cannot be opened for security reasons, so work must be attached directly to the email. Submissions should be sent to submissions@janklow.co.uk, including name, title of work and the name of the agent the writer wishes to submit to in the subject line. Work should be submitted to only one agent at the agency. Writers should notify the agency if they receive full manuscript requests elsewhere, by replying to the initial submission email, ideally with submission materials attached.

Agency AI policy

They do not accept submissions that have been written or assisted by AI.

Other agents at Janklow & Nesbit

  • Claire Paterson Conrad

    Janklow & Nesbit

    Claire is a Literary Agent and Director at Janklow & Nesbit UK. She began her career at Chatto & Windus, before working at Granta and Canongate Books, and later became Publisher of the NYRB Classics series in New York. She joined Janklow & Nesbit to help establish the London office and continues to work closely with the US team, co-agenting authors such as Jeffrey Eugenides and Maaza Mengiste. She represents a broad but carefully curated list spanning fiction and non-fiction.

    Genres:Commercial Fiction · Contemporary Fiction · Food & Drink · Historical Non-Fiction · Literary Fiction +5 more

    Open
    Last checked 18 days ago
  • Emma Leong

    Janklow & Nesbit

    Emma is a literary agent at Janklow & Nesbit, representing literary to commercial fiction. She studied Psychology and Law before joining the agency in 2019, becoming a primary agent in 2024. Her clients include Chukwuebuka Ibeh, Dr. Ally Louks and Grace Murray. She enjoys championing new writers and nurturing long-term careers.

    Genres:Commercial Fiction · Contemporary Fiction · Crime · Horror · Literary Fiction +7 more

    Open
    Last checked 18 days ago
  • Hayley Steed

    Janklow & Nesbit

    Hayley is a Director and Literary Agent at Janklow & Nesbit, representing writers of commercial and bookclub fiction across all genres. She spent seven years at Madeleine Milburn Literary Agency before joining Janklow & Nesbit in September 2023. Before that she worked in book PR, having completed a degree in English. She has been named both a Trailblazer and a Rising Star by the UK book trade.

    Genres:Commercial Fiction · Contemporary Fiction · Crime · Fantasy · Historical Fiction +9 more

    Open
    Last checked 18 days ago
  • Will Francis

    Janklow & Nesbit

    Will is a literary agent at Janklow & Nesbit who represents writers of popular science, investigative journalism and history, as well as novelists. He joined the agency in 2008 and became Managing Director of the UK office in 2013. Before starting his publishing career at Random House in 2000, he studied at King's College London and has lived in the US, India and Australia.

    Genres:Current Affairs · Historical Non-Fiction · Literary Fiction · Narrative Non-Fiction · Other Non-Fiction

    Open
    Last checked 18 days ago

Also open to fantasy right now

See all
  • John Ash

    CAA Publishing

    John Ash is a literary agent at CAA Publishing, representing literary fiction, upmarket general fiction and serious nonfiction. He began his career at PEW Literary, where he spent six and a half years before joining CAA in 2023. His fiction interests range from literary fiction and epic fantasy to upmarket general fiction, while his nonfiction interests include history, memoir and reportage.

    Genres:Commercial Fiction · Contemporary Fiction · Fantasy · Historical Non-Fiction · Literary Fiction +3 more

    Open
    Last checked today
  • Rachel Neely

    Mushens Entertainment

    Rachel is a literary agent at Mushens Entertainment, representing both literary and commercial fiction with a preference for darker stories. She began her publishing career at HarperCollins before working as an editor at Hachette for six years, most recently as a Commissioning Editor at Orion. She joined Mushens Entertainment in 2022 and became a Literary Agent in 2023 after covering Juliet Mushens' maternity leave.

    Genres:Commercial Fiction · Contemporary Fiction · Crime · Fantasy · Horror +7 more

    Open
    Last checked today
  • Laura Bennett

    The Liverpool Literary Agency

    Laura is an associate literary agent at the Liverpool Literary Agency. She studied Writing at Liverpool John Moores University, gaining a BA and later an MA, after an early career in teaching that included working with young adults with special needs and in further education. She moved into editing after her teaching career and also works as a freelance writer, having written for a video game and several roleplaying games.

    Genres:Commercial Fiction · Contemporary Fiction · Cosy Mystery · Crime · Fantasy +12 more

    Open
    Last checked today
  • Sarah Harvey

    CAA Publishing

    Sarah is a literary agent at CAA who builds a list of commercial to reading-group fiction and commercial non-fiction for the UK market. Sarah joined CAA in 2022, having previously worked at HarperCollins, Hachette, Pan Macmillan, The Curtis Brown Agency, and David Higham Associates. Their background is in translation rights, and they also represent US and translated authors in the UK.

    Genres:Commercial Fiction · Contemporary Fiction · Fantasy · Historical Fiction · Historical Non-Fiction +11 more

    Open
    Last checked today
  • Alice Caprio

    Peters Fraser + Dunlop

    Alice is a Literary Agent at Peters Fraser + Dunlop, working primarily on the children's list. After an MA in Publishing from UAL she spent five years as a scout at London Literary Scouting, specialising in children's, young adult and science fiction and fantasy across all ages and working with publishers and media companies around the world. She joined the agency in 2026 from Felicity Bryan Associates, where she was a literary agent. Alongside building her own list she sells foreign rights in the agency's children's and young adult titles across many territories.

    Genres:Children's Books · Fantasy · Horror · Middle Grade · Mystery +5 more

    Open
    Last checked yesterday
  • Daisy Chandley

    Peters Fraser + Dunlop

    Daisy is an agent in the books department at PFD, and works with Tim Bates as the United Kingdom sub-agent for New Directions Publishing in the United States. She joined the company in 2019 after graduating from the University of Oxford with a degree in politics, philosophy and economics.

    Genres:Contemporary Fiction · Fantasy · Food & Drink · Horror · Literary Fiction +8 more

    Open
    Last checked yesterday