The Blair Partnership

Submission status
Open
Submission route
Email
Response time
Aims to reply within 12 weeks
Last checked
10 days ago

Submission guidelines

The agency welcomes submissions from new and established authors. It is not currently accepting screenplays, short stories or poetry, and only accepts stories written in English. Fiction submissions should be emailed directly to the chosen agent; non-fiction submissions go to submissions@theblairpartnership.com. Only one agent should be emailed per submission. What to send (fiction): Include the working title in the subject line. In the email, include a one-line elevator pitch, a short blurb, the target market and genre, and any competitions or prizes won. Attach the first thirty pages of the manuscript and a one-page synopsis in one Word document or PDF. What to send (non-fiction): Send to submissions@theblairpartnership.com. Include the working title in the subject line. In the email, include a one-line elevator pitch, a short blurb, the target market and genre, plus any relevant prizes, social media platform size and engagement, and pertinent qualifications or career experience. Attach a proposal document and a writing sample in one Word document or PDF. Proposal length: The proposal should be no more than 10,000 words, and should cover why the book differs from what has been published before, why the target market needs it now, at least three comparable titles, and a writing sample of one to three chapters. Formatting: Manuscripts and synopses should be laid out so they are easy to read. File formats: Only Word documents or PDFs are accepted. Submissions sent as Pages documents, Google documents, WeTransfer files or DropBox downloads will not be read. Postal submissions will not be read and will be recycled. Other rules: Only material written by the submitting author, or by all named co-authors with their permission, may be submitted. No material generated wholly or partially by AI may be submitted. Hattie Grünewald: represents commercial and upmarket fiction, including women's fiction, crime and thriller, historical and book club fiction, as well as some non-fiction in lifestyle and personal development. Rachel Petty: represents children's fiction and non-fiction up to young adult and crossover, but is not currently accepting picturebook submissions. Ed Wood: represents crime, thriller, mystery and book club fiction.

Agents (5)

  • Ed Wood

    The Blair Partnership

    Ed is a literary agent at The Blair Partnership, representing crime, thriller, mystery and book club fiction. He was previously Publishing Director at Little, Brown, where he published bestselling authors including Mark Billingham, Chris Brookmyre and Carl Hiaasen. He later became Little, Brown's IP Director, working with authors on original concepts that became major rights sales successes.

    Genres:Commercial Fiction · Crime · Horror · Literary Fiction · Mystery +3 more

    Open
    Last checked 10 days ago
  • Emily Barrett

    The Blair Partnership

    Emily is a literary agent at The Blair Partnership who represents non-fiction for mainstream audiences. Before becoming an agent, she spent a decade working at HarperCollins, Orion and Little, Brown, where she was latterly the Publisher of Sphere Non-Fiction. The books she edited and published included Sunday Times bestsellers, award nominees and winners, and titles translated and exported internationally. She has extensive insider experience across the spectrum of non-fiction.

    Genres:Current Affairs · Food & Drink · Health & Wellness · Historical Non-Fiction · Narrative Non-Fiction +4 more

    Closed
    Last checked 10 days ago
  • Hattie Grünewald

    The Blair Partnership

    Hattie represents commercial and upmarket fiction, including book club fiction, crime and thriller, historical and contemporary fiction, and some non-fiction in the areas of lifestyle and personal development. She is currently open to commercial and upmarket fiction submissions with a strong pitch, believable characters and an engaging voice. Hattie is particularly keen to see novels for the book club market with conversation-starting topics and a “you need to read this” quality, including multi-layered family dramas, high-concept love stories and classic storytelling. She seeks sexy and funny rom-coms, unusual escapist historical fiction often featuring mysteries or love stories, ambitious detective fiction, puzzle-y mysteries, humorous cosy crime with series potential and regional crime.

    Genres:Commercial Fiction · Contemporary Fiction · Cosy Mystery · Crime · Historical Fiction +5 more

    Open
    Last checked 10 days ago
  • Kim Yudelowitz

    The Blair Partnership

    Kim champions underrepresented voices across memoir and non-fiction. Kim joined the team from a background in publishing sales, most recently as a Key Account Manager at Canelo/DK. Before that, Kim worked in International Sales at Head of Zeus/Bloomsbury, covering territories across Africa, the US and India. Kim brings a keen commercial instinct and a passion for stories that might otherwise go untold.

    Genres:Memoir · Sports

    Closed
    Last checked 10 days ago
  • Rachel Petty

    The Blair Partnership

    Rachel represents children's fiction and non-fiction up to young adult and crossover. Before joining The Blair Partnership, she was editorial director at Macmillan Children's Books. There she worked with authors including Frances Hardinge, Chris Riddell and Tomi Adeyemi.

    Genres:Children's Books · Fantasy · Horror · Middle Grade · Other Non-Fiction +3 more

    Open
    Last checked 10 days ago