Alice Saunders

Submission status: Open
Submission route: Email
Response time: Not stated
Last checked: 12 days ago

About

Alice loves storytelling in all its forms, whether fiction or narrative non-fiction, and works across literary, audio, live audience, film and television representation.

She is actively looking for new talent in crime, thrillers, epic family sagas, book club literary fiction and memoir, in fact everything apart from science fiction and fantasy. As head of the agency's speaker business, she also matches talent to corporate, industry and public sector events.

What they represent

Looking for

crime
thrillers
epic family sagas
book club literary fiction
memoir
tightly plotted narratives with compulsive characters
writing with humour, heart and unusual takes on the everyday

Not looking for

science fiction and fantasy

Agency submission guidelines

Submissions are by email only. General submissions go to sohoagencysubmissions@gmail.com; children's, young adult and artwork to sohoagencychildrenssubmissions@gmail.com. Address your work to the agent you feel is the best fit, or to The Soho Agency Submissions if you are unsure. What to send: the first three chapters or first thirty pages, or the complete text if it is for young children and under 1,000 words, ideally in Word format. Include a synopsis with spoilers and a covering letter that pitches the book. Worth knowing: physical submissions are not accepted. The agency does not represent poetry or textbooks, and champions human creativity only. Given the volume received, it replies only to submissions it wishes to pursue. Let the agency know via the submissions email if another agent requests your full manuscript or you have an offer of representation. Security note: genuine emails come only from the two submissions addresses or an @thesohoagency.co.uk address. Be wary of approaches from anywhere else.

Agency AI policy

The agency says it only champions human creativity, representing work shaped by authentic imagination, craft and dedication.

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