Hannah Weatherill

Watson, Little Ltd

Submission status
Closed
Submission route
Email
Response time
Aims to reply within 6 weeks
Last checked
8 days ago

About

Hannah is a literary and book-to-screen agent at Watson, Little.

She joined the agency in 2024 after four years as an agent at Northbank Talent Management and a year at Penguin Random House UK. She is building a varied list of quality commercial and upmarket fiction and non-fiction, and authors she has represented have been listed for prizes including the Women's Prize and the British Book Awards. She also represents book-to-screen rights for the agency and stays closely connected with the international film and TV industry.

Looking for

  • crime, thriller and horror novels with a confident voice, a clear hook and a fresh approach, especially if it says something about the world we live in today
  • love stories, whether that's a smart romcom, an intimate coming-of-age love story or a big, weepy epic
  • general contemporary fiction about complicated people, families and lives, often when there's a mystery at its heart
  • a small amount of historical fiction, generally set in the 19th and 20th centuries
  • lifestyle and wellbeing
  • narrative non-fiction such as memoir, nature writing, and investigative journalism
  • cookbooks and food writing
  • thought-provoking non-fiction across the arts and academia

Not looking for

  • sci-fi, fantasy, action, spy or military thrillers
  • children's and young adult novels, scripts, poetry

Clients include

  • Victoria Bateman
  • Kai Birdsall
  • Leah Brown
  • Mahi Cheshire
  • Chelsea Chong
  • Hanna Diamond
  • Molly Ella
  • Rosie Harte
  • JM Hewitt
  • Shelina Janmohamed
  • Connie Kitson
  • Kate Llewellyn-Waters
  • Keaton McGruder
  • Sian Meades-Williams
  • Nina Millns

Agency submission guidelines

Submissions are accepted by email only, to submissions@watsonlittle.com. Submissions sent by post will not be read. Submissions should be directed to one agent only, not sent to more than one agent at the agency at once. The agency shares submissions internally and may pass work to a better-suited agent. Cover letter: include a synopsis and writing sample attached as Word documents for fiction, or a proposal for non-fiction, with the cover letter in the body of the email. For a graphic novel or a self-illustrated children's book, send the material as a PDF. The cover letter should briefly describe the novel or proposal, including genre, word count and a one-line pitch, followed by a paragraph or two about the plot. It should also cover the writer's background, any writing experience or previous publications, and mention a couple of recently published comparable titles. Fiction: send approximately 10,000 words (or to the end of the nearest chapter) from the beginning of the book as a single attached document, plus a separate synopsis outlining the plot or structure from beginning to end, including spoilers, written as a factual summary rather than a marketing blurb. Children's fiction: where the total word count is under 20,000 words, send the full manuscript. Non-fiction: send a proposal as a single attached document addressing the subject of the book and why it needs to be published now, the writer's background and credentials, comparable previously published books, a sample chapter, and a list of potential chapters with summaries. What not to submit: poetry or screenplays for film, television, radio or theatre are not represented. Material wholly or partially originated, written or edited by AI is not accepted. Writers may submit to multiple agencies at once, but should inform the agency of any full manuscript requests or offers from other agents. Keep a copy of anything submitted, and do not send original artwork.

Agency AI policy

Does not accept any material that has been wholly or partially originated, written or edited by AI.

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