Karolina Kaim

WME Literary Agency

Submission status
Open
Submission route
Website
Response time
Assume no reply = no after 6 weeks
Last checked
4 days ago

About

Karolina is a nonfiction agent at WME's London office.

She joined the agency in 2024 after more than eight years of commissioning experience at publishing houses in the UK and abroad. She trained in intellectual property law and works closely with her US colleague to find homes for the agency's talent.

Genres

BusinessHealth & WellnessMemoirNarrative Non-FictionSelf-Help

Looking for

  • authors whose works could stand alongside THE CREATIVE ACT by Rick Rubin, PRINCIPLES by Ray Dalio, STRONG FEMALE CHARACTER by Fern Brady, ULTRA-PROCESSED PEOPLE by Chris van Tulleken, BARBARIAN DAYS by William Finnegan, and THE LOST PIANOS OF SIBERIA by Sophy Roberts
  • psychology
  • health and wellness
  • self-development
  • smart thinking
  • business, as well as narrative nonfiction including memoir

Agency submission guidelines

Query one WME agent at a time; the team works collaboratively, so if you have not heard back after six weeks you are free to try another agent and to keep them posted on your project. Each agent's preferred query format is below and on their profile page, where the query button sends your submission. Include your bio with every submission. The agency cannot respond to every query, and it does not consider screenplays. WME agents will only ever contact you from a wmeagency.com email address and never ask for payment. Francesca Ali: for fiction, the first three chapters and a synopsis as a Word document. For illustrated projects, a portfolio, sample pages and a full script. For non-fiction, a short overview of the project and up to 10,000 words of sample writing. Kimberley Atkins: for fiction, a covering letter, synopsis and the first three chapters or fifty pages. For non-fiction, a covering letter, a full outline setting out the aims of each chapter and, if possible, a sample chapter. Put your full name and the title of your work in the email subject line. Fiona Baird: for fiction and completed works of non-fiction, a query letter, synopsis and the first three chapters. For non-fiction on proposal, a query letter and the full proposal. Lucy Balfour: for fiction, a query letter, synopsis and the first three chapters or fifty pages. For non-fiction, a query letter and a proposal including a full outline and chapter breakdown. Suzannah Ball: for fiction, the first three chapters as a Word document and a synopsis; only submit once your manuscript is complete. For non-fiction, a short overview of the project and up to 10,000 words of sample writing. Florence Dodd: for all projects, a synopsis, an outline and up to ten sample pages as a Word document. Matilda Forbes Watson: for fiction, a covering letter, synopsis and the first three chapters or fifty pages. For non-fiction, a covering letter, a full outline and, if possible, a sample chapter. Karolina Kaim: non-fiction only. A short overview of the project and up to 10,000 words of sample writing as a Word document; the proposal should include a working title, an elevator pitch and an outline of contents. For platform-led projects, include an overview of relevant statistics. James Munro: for fiction, a query letter and the first ten pages in the body of the email. For non-fiction, a query letter with the full proposal or manuscript attached. Hellie Ogden: for fiction, a covering letter, synopsis and the first three chapters or fifty pages. For non-fiction, a covering letter, a full outline setting out the aims of each chapter and, if possible, a sample chapter. Put your full name and the title of your work in the email subject line.

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