Greyhound Literary

Submission guidelines

FICTION: send a cover letter with a pitch briefly introducing yourself and your work, in the body of an email, together with the first three chapters of the novel and a synopsis as attachments. NON-FICTION: send a cover letter with a pitch briefly introducing yourself and your work, in the body of an email, with a proposal outlining the book and explaining why the author is best-placed to write it, along with some sample writing from it, attached. CHILDREN'S PICTURE BOOKS: send a cover email briefly introducing yourself and your work, and attach the full manuscript and sample illustrations (if also the illustrator). Submissions should be emailed directly and only to the one agent being approached (do not submit to more than one agent at Greyhound Literary); email addresses are on each agent's profile page. Submissions by post are not accepted and physical submissions are discarded without review. Screenplays are not handled and will not be considered or responded to. Writers based in an English-speaking country outside the UK or Republic of Ireland with well-established agencies are expected to have a convincing reason for wanting UK representation. No reading fees or up-front fees are charged.

AI policy

All submitted work must be entirely the author's own: neither generated by nor co-written with AI; if AI/LLM tools were used in creating the work, this must be specified, including how and why.

Genres

Links

Agents (10)

• Alexander Cochran

  Greyhound Literary

  Alexander is actively building his list and is always on the lookout for new writers of speculative fiction, literary fiction, crime and thriller and serious non-fiction. He is particularly interested in dark thrillers and crime novels, science fiction and fantasy that push boundaries or cross genres but are rooted in believable, playful literary fiction, and novels that don't shy away from darker aspects of humanity. On the non-fiction side, he tends towards serious books with big ideas that subvert our assumptions, serious histories, and narrative non-fiction focused on contemporary events and issues.

  Genres:Crime · Current Affairs · Fantasy · Historical (Non-Fiction) · Literary Fiction +3 more

  Open

  Last checked 8 days ago

• Charlie Campbell

  Greyhound Literary

  Charlie is co-founder and director of Greyhound Literary, representing a wide range of fiction and non-fiction. He began his career at Literary Review, becoming deputy editor, before moving into agenting at Johnson & Alcock and then Ed Victor Ltd, where he spent ten years building his list. He set up his own agency in 2014, which became Greyhound Literary in 2022 when Sam Edenborough joined as Rights Director.

  Genres:Commercial Fiction · Crime · Literary Fiction · Memoir · Narrative Non-Fiction +4 more

  Open

  Last checked 8 days ago

• Charlotte Atyeo

  Greyhound Literary

  Charlotte represents a select number of non-fiction, children's and fiction authors. Before agenting, she spent twenty years as an editor, including ten years at Bloomsbury, where she was Publisher of prize-winning narrative sport titles, general non-fiction titles, The Nightwatchman quarterly, and Wisden Cricketers' Almanack. In the decade before that, she worked across cookery, fiction, gift, humour and business publishing.

  Genres:Children's Books · Other Non-Fiction

  Open

  Last checked 4 days ago

• Dotti Irving

  Greyhound Literary

  Dotti is an agent at Greyhound Literary, representing narrative non-fiction. She spent a decade at Penguin before founding Colman Getty, a publishing PR agency, working with writers including William Boyd, Germaine Greer and J.K. Rowling. She sold the company in 2012 and returned to an independent career in 2022. She is a trustee of the Deborah Rogers Foundation and Deputy President of the Royal Literary Fund.

  Genres:Narrative Non-Fiction

  Open

  Last checked 2 days ago

• Julia Silk

  Greyhound Literary

  Julia represents fiction and non-fiction at Greyhound Literary. She worked as a bookseller and editor for 18 years, latterly as Publisher of digital crime imprint The Murder Room at Orion, before becoming an agent in 2016. She has an MA in Comparative Literature from UEA.

  Genres:Commercial Fiction · Crime · Health & Wellness · Historical Fiction · Horror +5 more

  Solicited only

  Last checked 4 days ago

• Maria Brannan

  Greyhound Literary

  Maria is Greyhound Literary's translation rights manager and a fiction, non-fiction and young adult agent. She works with Sam Edenborough on translation rights for the agency's clients and is building her own list of authors as a primary agent. She previously spent over five years as a literary scout at Maria B. Campbell Associates in London, advising international publishers in more than 12 countries and scouting books for Netflix.

  Genres:Contemporary Fiction · Crime · Fantasy · Historical (Non-Fiction) · Historical Fiction +7 more

  Open

  Last checked 4 days ago

• Natalie Galustian

  Greyhound Literary

  Natalie represents narrative and commercial non-fiction as well as literary fiction. She spent fifteen years as an antiquarian book dealer before becoming an agent, first with Simon Finch Rare Books and later running her own rare book shop and gallery in Cecil Court. In 2017, she co-edited an anthology of new short stories about poker with the writer Anthony Holden.

  Genres:Food & Drink · Literary Fiction · Narrative Non-Fiction

  Open

  Last checked 4 days ago

• Philip Gwyn Jones

  Greyhound Literary

  Philip is an agent at Greyhound Literary, representing fiction and non-fiction. He spent thirty-three years as an editor and publisher before moving into agenting in spring 2023. He was Publisher of Picador at Pan Macmillan, Scribe UK, Granta & Portobello Books, and Flamingo and Fontana Press at HarperCollins. Writers he published have won the Nobel, Booker and Pulitzer prizes, among others.

  Genres:Other Non-Fiction

  Solicited only

  Last checked 4 days ago

• Salma Begum

  Greyhound Literary

  Salma is an agent at Greyhound Literary, representing fiction and non-fiction. She previously worked in editorial at Picador, Zaffre and Manilla Press, giving her insight into what it takes for a book to win a publishing contract. As an agent, she works closely on manuscript development while considering marketability and timing for her authors.

  Genres:Horror · Literary Fiction · Memoir · Narrative Non-Fiction · Romance +2 more

  Open

  Last checked 2 days ago

• Sam Edenborough

  Greyhound Literary

  Sam is co-founder and director of Greyhound Literary, where he handles translation rights for the agency's clients and represents his own list of authors. He began his career at A.M. Heath before moving to Andrew Nurnberg Associates, then worked at ILA from 2001 to 2021 selling translation rights for a wide range of English-language authors, including many prize winners and global bestsellers. He served as President of the Association of Authors' Agents from 2014 to 2016.

  Genres:Fantasy · Horror · Other Non-Fiction · Science Fiction

  Open

  Last checked 8 days ago