Julia Silk

Greyhound Literary

Submission status
Solicited only
Submission route
Email
Response time
Aims to reply within 8 weeks
Last checked
4 days ago

About

Julia represents fiction and non-fiction at Greyhound Literary.

She worked as a bookseller and editor for 18 years, latterly as Publisher of digital crime imprint The Murder Room at Orion, before becoming an agent in 2016. She has an MA in Comparative Literature from UEA.

Genres

Commercial FictionCrimeHealth & WellnessHistorical FictionHorrorLiterary FictionMemoirNarrative Non-FictionThrillerTrue Crime

Looking for

  • smart, compelling writing across the spectrum from commercial to literary, particularly when it opens a door into a previously inaccessible world or experience (Crazy Rich Asians, Prep), exposes our flaws and hypocrisies in new ways (Such a Fun Age, My Year of Rest and Relaxation), or upends expectations with wit and energy (My Sister the Serial Killer, Yellowface)
  • a novel as simultaneously bittersweet and life-affirming as Catherine Newman's We All Want Impossible Things
  • upmarket crime and thrillers by writers such as Gillian Flynn, Louise Candlish, Liz Nugent and Jane Harper
  • upmarket true crime (The Fact of a Body, I'll be Gone in the Dark)
  • immaculately voiced historical fiction that reflects contemporary preoccupations
  • novels with elements of light horror, gothic or the supernatural
  • narrative non-fiction with the combination of the acutely personal and the universal that makes great memoir (Educated, Strong Female Character, House of Glass)
  • journalists, academics and experts illuminating new stories and previously unexplored subjects
  • health, wellbeing and lifestyle, with original evidence-based proposals in this area from experts with a strong platform
  • speculative crossover fiction

Not looking for

  • science fiction and fantasy, children's and young adult (apart from by existing clients)

Agency submission guidelines

FICTION: send a cover letter with a pitch briefly introducing yourself and your work, in the body of an email, together with the first three chapters of the novel and a synopsis as attachments. NON-FICTION: send a cover letter with a pitch briefly introducing yourself and your work, in the body of an email, with a proposal outlining the book and explaining why the author is best-placed to write it, along with some sample writing from it, attached. CHILDREN'S PICTURE BOOKS: send a cover email briefly introducing yourself and your work, and attach the full manuscript and sample illustrations (if also the illustrator). Submissions should be emailed directly and only to the one agent being approached (do not submit to more than one agent at Greyhound Literary); email addresses are on each agent's profile page. Submissions by post are not accepted and physical submissions are discarded without review. Screenplays are not handled and will not be considered or responded to. Writers based in an English-speaking country outside the UK or Republic of Ireland with well-established agencies are expected to have a convincing reason for wanting UK representation. No reading fees or up-front fees are charged.

Agency AI policy

All submitted work must be entirely the author's own: neither generated by nor co-written with AI; if AI/LLM tools were used in creating the work, this must be specified, including how and why.

Clients include

  • Tobi Asare
  • Leona Nichole Black
  • Owen Booth
  • Luce Brett
  • Sarah Jane Butler
  • Alex Dahl
  • Marchelle Farrell
  • A P Firdaus
  • Clare Fisher
  • Claire Gleeson
  • Sarah Graham
  • Elaine Gregersen
  • Hayley Gullen
  • Karen Gurney
  • Dawn Heels

Other agents at Greyhound Literary